| Title | Composer | PDF | MIDI | Parts | Book |
| Aldrich, Henry (1647 – 1710) |
| Tom Jolly's nose | Aldrich, Henry | PDF | MIDI | 3 | Drinking Songs |
| Anonymous, ( – ) |
| 3r. O Maria mater pia, | Anonymous | PDF | MIDI | 2 | Bicinia -- Motets |
| Duo 113 | Anonymous | PDF | MIDI | 2 | |
| En m'esbatant/Gracieuse plaisant mousni | Anonymous | PDF | MIDI | 4 | |
| Entre vous qui aymés | Anonymous | PDF | MIDI | 4 | |
| Fortuna Desperata | Anonymous | PDF | MIDI | 4 | |
| O Shenandoah | Anonymous | PDF | MIDI | 1 | Tunes in all keys |
| Row, row, row your boat | Anonymous | PDF | MIDI | 3 | Tunes in all keys |
| Sumer is icumen in | Anonymous | PDF | | | |
| Sumer is icumen in | Anonymous | PDF | | | |
| Tappster, dryngker | Anonymous | | MIDI | 3 | Drinking Songs |
| The dark is my delight | Anonymous | PDF | MIDI | 4 | |
| Tmeiskin | Anonymous | PDF | MIDI | 4 | |
| When Daphne from fair Phoebus did fly | Anonymous | PDF | MIDI | 5 | |
| When Daphne from fair Phoebus did fly (a fourth down) | Anonymous | PDF | | 5 | |
| When Daphne from fair Phoebus did fly (a step down) | Anonymous | PDF | MIDI | 5 | |
| Arban, (1825 – 1889) |
| Carnival of Venice | Arban | PDF | MIDI | 1 | |
| Tyrolienne | Arban | PDF | MIDI | 1 | |
| Arbeau, Thoinet ( – ) |
| From Orchesographie | Arbeau, Thoinet | PDF | MIDI | | |
| Arcadelt, Jacques (1504 – 1568) |
| Il bianco e dolce cigno | Arcadelt, Jacques | PDF | MIDI | 4 | |
| O felici occhi meiei | Arcadelt, Jacques | PDF | MIDI | 4 | |
| Arthopius, Balthazar ( – ) |
| Die bruenlin die da fliessen | Arthopius, Balthazar | PDF | MIDI | 4 | |
| Bach, Johann Sebastian (1685 – 1750) |
| Erbarme Dich | Bach, Johann Sebastian | PDF | MIDI | 1 | |
| Baldwin, John ( – 1615) |
| A Browning | Baldwin, John | PDF | MIDI | 3 | |
| Coockow as I me walked | Baldwin, John | PDF | MIDI | 3 | |
| Berg, George ( – 1771) |
| Let us drink and be merry | Berg, George | PDF | MIDI | 3 | Drinking Songs |
| Bevin, Elway (1554 – 1638) |
| Browning | Bevin, Elway | PDF | MIDI | 3 | |
| Bigaglia, Diogenio (1670 – c. 1745) |
| Sonata in A minor | Bigaglia, Diogenio | PDF | MIDI | 2 | |
| Sonate in A minor, transposed to B minor | Bigaglia, Diogenio | PDF | | 2 | |
| Billings, William (1746 – 1800) |
| Africa | Billings, William | PDF | MIDI | 4 | |
| Africa (transposed to C major) | Billings, William | PDF | MIDI | 4 | |
| Easter Anthem | Billings, William | PDF | MIDI | 4 | |
| Lamentation over Boston | Billings, William | PDF | MIDI | 4 | |
| Bottegari, Cosimo (1554 – 1620) |
| Mi Parto (D minor) | Bottegari, Cosimo | PDF | MIDI | 2 | |
| Mi Parto (E minor) | Bottegari, Cosimo | PDF | MIDI | 2 | |
| Byrd, William (1540 – 1623) |
| Come to me grief forever | Byrd, William | PDF | MIDI | 5 | |
| I have been young | Byrd, William | PDF | MIDI | 3 | |
| I. Lord in thy rage rebuke me not (Psalm 6) | Byrd, William | PDF | MIDI | 3 | |
| In Crystal Towers | Byrd, William | PDF | MIDI | 3 | |
| In Nomine II | Byrd, William | PDF | MIDI | 3 | |
| Lullaby my sweet little baby | Byrd, William | PDF | MIDI | 5 | |
| Susannah Fair | Byrd, William | PDF | MIDI | 3 | |
| The eagle's force | Byrd, William | PDF | MIDI | 3 | |
| The greedy hawk | Byrd, William | PDF | MIDI | 3 | |
| The greedy hawk (transposed) | Byrd, William | PDF | | 3 | |
| Campian, Thomas (1567 – 1620) |
| Babylon Streams L.M. | Campian, Thomas | PDF | MIDI | 4 | |
| Fair, if you expect admiring | Campian, Thomas | PDF | MIDI | 2 | |
| Fair, if you expect admiring (fifth down) | Campian, Thomas | PDF | | 3 | |
| I care not for these Ladies | Campian, Thomas | PDF | MIDI | 2 | |
| Never weather-beaten saile | Campian, Thomas | PDF | MIDI | 4 | Two books of Ayres |
| Though your strangeness frets my heart | Campian, Thomas | PDF | MIDI | 3 | |
| Though your strangeness frets my heart (down a third) | Campian, Thomas | PDF | | 3 | |
| V. My love hath vowd hee will forsake mee | Campian, Thomas | PDF | MIDI | 2 | |
| When Laura Smiles | Campian, Thomas | PDF | MIDI | 2 | |
| When the god of merry Love | Campian, Thomas | PDF | MIDI | 3 | |
| When the God of Merry Love (third down) | Campian, Thomas | PDF | | 3 | |
| XXIV. Faine would I wed a faire yong man | Campian, Thomas | PDF | MIDI | 2 | |
| Cavendish, Michael (c. 1565 – 1628) |
| Come, gentle Swains | Cavendish, Michael | PDF | MIDI | 5 | The Triumphs of Oriana |
| Certon, Pierre (c. 1510 – 1572) |
| Contentez vous | Certon, Pierre | PDF | MIDI | 2 | |
| J'ai le rebours | Certon, Pierre | PDF | MIDI | 4 | |
| Clemens non papa, Jacob (c. 1510 to 1515 – 1555 or 1556) |
| Ich stuend an einem Morgen | Clemens non papa, Jacob | PDF | MIDI | 3 | |
| Courtois, Jean (active 1530 - 1545 – ) |
| Petit Jacquet | Courtois, Jean | PDF | MIDI | 4 | |
| Petit Jacquet (transposed) | Courtois, Jean | PDF | | 4 | |
| Crequillon, Thomas (c. 1505 – c. 1557) |
| Alix avoit aux dens la malerage | Crequillon, Thomas | PDF | MIDI | 4 | |
| Alix avoit aux dens la malerage (transposed) | Crequillon, Thomas | PDF | MIDI | 4 | |
| da Rore, Cipriano (1515 – 1565) |
| Ancor che col partire | da Rore, Cipriano | PDF | MIDI | 4 | |
| Ancor che col partire with divisions by Bassano, Dalla Cassa, and Spadi | da Rore, Cipriano | PDF | MIDI | | |
| de Antiquis, Giovanni (16th century – after 1608) |
| 10. Fantasia secunda. | de Antiquis, Giovanni | PDF | MIDI | 2 | |
| 16v. Fantasia 18. | de Antiquis, Giovanni | PDF | MIDI | 2 | |
| de l'Estocart, Paschal (c. 1540 – c. 1584) |
| Psaume CXXXVII | de l'Estocart, Paschal | PDF | MIDI | 4 | |
| de Lisle, C. Rouget ( – ) |
| La Marseillaise | de Lisle, C. Rouget | PDF | MIDI | 1 | |
| de Martino, Oratio ( – ) |
| Fantasia Nona. | de Martino, Oratio | | | 2 | |
| des Prez, Josquin (c.1450 to 1455 – 1521) |
| 4v. Per illud ave prolatum, | des Prez, Josquin | PDF | MIDI | 2 | Bicinia -- Motets |
| Adieu mes amours | des Prez, Josquin | PDF | MIDI | 4 | |
| Adieu mes amours | des Prez, Josquin | PDF | | 4 | |
| Fortuna dun gran tempo | des Prez, Josquin | PDF | MIDI | 3 | |
| La Deploration de la morte de Johannes Ockeghem | des Prez, Josquin | PDF | MIDI | 5 | |
| La Deploration de la morte de Johannes Ockeghem (Original key) | des Prez, Josquin | PDF | | 5 | |
| La plus des plus | des Prez, Josquin | PDF | MIDI | 3 | |
| Mille regrets | des Prez, Josquin | PDF | MIDI | 4 | |
| O Venus bant | des Prez, Josquin | PDF | MIDI | 3 | |
| Petite Camusette | des Prez, Josquin | PDF | MIDI | 6 | |
| Dowland, John (1563 – 1626) |
| A shepheard in a shade | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| All ye, whom love or fortune hath betraid; | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Awake, sweet love, thou art returnd: | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Away with these selfe loving lads | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Behold a wonder here | Dowland, John | PDF | MIDI | 2 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Burst forth my tears | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| By a fountaine where I lay, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Can she excuse my wrongs | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Captaine Digorie Piper his Galiard | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Cease these false sports, | Dowland, John | | | 5 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Cleare or cloudie sweet as Aprill showring, | Dowland, John | PDF | MIDI | 5 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Come again: | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Come away, come sweet love | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Come heavy sleepe the image of true death; | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Come when I call, | Dowland, John | PDF | MIDI | 5 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Come yee heavy states of night, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Daphne was not so chaste as she was changing, | Dowland, John | PDF | MIDI | 2 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Deare, if you change | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Disdaine me still | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Dye not beefore thy day, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Faction that ever dwells | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Farewell too faire, | Dowland, John | PDF | MIDI | 2 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Farewell unkind farewell | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Fie on this faining, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Fine knacks for ladies, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Flow my tears | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Flow not so fast yee fountaines, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| From silent night | Dowland, John | PDF | MIDI | 3 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Go crystall teares, | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Goe nightly cares, | Dowland, John | PDF | MIDI | 3 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Goe nightly cares, | Dowland, John | PDF | MIDI | 3 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| His golden locks time hath to silver turnde | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Humor say what mak'st thou heere | Dowland, John | PDF | MIDI | 5 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| I must complaine, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| I saw my Lady weepe, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| If floods of teares could cleanse my follies past, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| If my complaints | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| If that a sinner's sighes be Angel's foode | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| If that a sinner's sighes be Angel's foode (Down a third) | Dowland, John | PDF | | 4 | |
| In darkness let me dwell | Dowland, John | PDF | MIDI | 2 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| In this trembling shadow | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| It was a time when silly Bees could speake, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Lachrimae Amantis | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lachrimae Antiquae Novae | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lachrimae Coactae | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lachrimae Gementes | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lachrimae Tristes | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lacrimae Antiquae. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lacrimae verae. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Lasso vita mia, | Dowland, John | PDF | MIDI | 3 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Lend your eares to my sorrow | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Love stood amazed | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Love those beames that breede, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Love those beames that breede, | Dowland, John | PDF | | 4 | |
| Love those beames that breede, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| M Giles Hoby his Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. Bucton his Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. George Whitehead his Almand. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. Henry Noell his Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. John Langtons Pavan | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. Nicholas Gryffith his Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| M. Thomas Collier his Galiard with two trebles. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Me me and none but me, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Mistress Nichols Almand | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Mourne, mourne,, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| My heart and tongue were twinnes, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| My heart and tongue were twinnes, | Dowland, John | PDF | | 4 | |
| My thoughts are wingd with hopes | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Now cease my wandring eies, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Now, O now, I needs must part, | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| O sweet woods the delight of solitarinesse | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Oh what hath overwrought | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Praise blindness eies, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Rest a while, you cruell cares | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Say love if ever thou didst find, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Semper Dowland, semper dolens | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Shall I strive with wordes to move, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Shall I sue | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Sir Henry Umptons Funerall | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Sir John Souch his Galiard | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Sleep, waiward thoughts | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Sorrow sorrow stay, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Stay time a while thy flying, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Susanna Galliard | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| Sweet stay a while, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Tell me true Love where shall I seeke thy being, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| The Earle of Essex Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| The King of Denmarks Galiard. | Dowland, John | PDF | MIDI | 5 | Lachrimae, or Seaven Teares figured in
Seaven Passionate Pavans, with divers other Pavans, Galiards, and
Almands, set forth for the Lute, Viols, or violons, in five
parts |
| The lowest trees have tops, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Then sit thee downe, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Thinkst thou then by thy fayning | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Thou Mighty God | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Time stands still with gazing on her face, | Dowland, John | PDF | MIDI | 2 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Times eldest sonne, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| To aske for all thy love, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Tosse not my soule | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Unquiet thoughts, your civil slaughter stint | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Up merry mates, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Weepe you no more sad fountaines, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| Welcome black night | Dowland, John | PDF | MIDI | 5 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Were every thought an eye, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Were every thought an eye, | Dowland, John | PDF | | 4 | |
| What if I never speede, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| What poore Astronomers are they, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| When David's life by Saul was often sought, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| When others sings Venite exaltemus, | Dowland, John | PDF | MIDI | 2 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| When Phoebus first did Daphne love, | Dowland, John | PDF | MIDI | 4 | The Third and Last Booke of Songs or Aires.
Newly composed to sing to the Lute, Orpharion, or viols, and a
dialogue for a base and meane Lute with five voices to sing
thereto |
| When the poore Criple by the poole did lye, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Where Sinne sore wounding, | Dowland, John | PDF | MIDI | 4 | A Pilgrimes Solace. Wherein is contained
Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols |
| Where Sinne sore wounding, | Dowland, John | PDF | | 4 | |
| Where Sinne sore wounding, | Dowland, John | PDF | | 4 | |
| White as Lillies was hir face, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Whoever thinks or hopes of love for love | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Wilt thou unkind thus reave me of my heart, | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Wofull hart with griefe oppressed, | Dowland, John | PDF | MIDI | 4 | The Second Booke of Songs or Ayres of
2. 4. and 5.
parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba |
| Would my conceit, that first enforst my woe, | Dowland, John | PDF | MIDI | 4 | The First Booke of Songs or ayres of foure
parts, with Tableture for the Lute |
| Dunstable, John (c, 1390 – 1453) |
| O Rosa Bella | Dunstable, John | PDF | MIDI | 3 | |
| Durante, Francesco (1684 – 1755) |
| Danza, danza, fanciulla gentile | Durante, Francesco | PDF | MIDI | 2 | |
| Eccles, John (1661 – 1735) |
| Confusion to the pow'r of Cupid | Eccles, John | | MIDI | 3 | Drinking Songs |
| Facciola, Fabritio ( – ) |
| Fantasia Octava. | Facciola, Fabritio | | | 2 | |
| Farmer, John (1570 – 1605) |
| Fair Phyllis | Farmer, John | PDF | MIDI | 4 | |
| Feuillet, ( – ) |
| Receuil de Contredances | Feuillet | PDF | MIDI | | |
| Finger, Godfrey (c. 1670 – 1730) |
| A Division on a Ground by Mr. Finger | Finger, Godfrey | PDF | MIDI | 2 | |
| Gabrielli, Giovanni (c. 1564-1567 – 1612) |
| Canzon II a 6 | Gabrielli, Giovanni | PDF | MIDI | 6 | |
| Canzon II a 6 (transposed) | Gabrielli, Giovanni | PDF | | 6 | |
| Canzon septimi toni a 8 | Gabrielli, Giovanni | PDF | MIDI | 8 | |
| Conzon Terza | Gabrielli, Giovanni | PDF | MIDI | 4 | |
| Gervaise, Claude (fl. 1550 – ) |
| Basse Dance: Au prés de vous | Gervaise, Claude | PDF | MIDI | 4 | |
| Bransle | Gervaise, Claude | | MIDI | 1 | Tunes in all keys |
| Dix Bransles de Champaigne | Gervaise, Claude | PDF | | 4 | |
| Dix Bransles Gays | Gervaise, Claude | PDF | MIDI | 4 | |
| Huict Bransles de Poictou | Gervaise, Claude | PDF | MIDI | 4 | |
| Gibbons, Orlando (1583 – 1625) |
| In Nomine | Gibbons, Orlando | PDF | MIDI | 4 | |
| IX. Daintie fine Bird | Gibbons, Orlando | PDF | MIDI | 5 | |
| IX. Daintie fine Bird | Gibbons, Orlando | PDF | | 5 | |
| The Silver Swan | Gibbons, Orlando | PDF | MIDI | 5 | |
| The Silver Swan (down a step) | Gibbons, Orlando | PDF | | 5 | |
| The Silver Swan (down a third) | Gibbons, Orlando | PDF | | 5 | |
| The Silver Swan, a round in three parts | Gibbons, Orlando | PDF | MIDI | | |
| XII. Now each flowry bancke of May | Gibbons, Orlando | PDF | | 5 | |
| XII. Now each flowry bancke of May | Gibbons, Orlando | PDF | MIDI | 5 | |
| XII. Now each flowry bancke of May (down a step) | Gibbons, Orlando | PDF | | 5 | |
| XIIII. What is our life? | Gibbons, Orlando | PDF | MIDI | 5 | |
| XIIII. What is our life? | Gibbons, Orlando | PDF | | 5 | |
| Guidiccioni, Giovanni (1480 – 1541) |
| Il Bianco e dolce Cigno | Guidiccioni, Giovanni | PDF | MIDI | 2 | |
| Harrington, Henry (1727 – 1816) |
| Give me the sweet delights of love | Harrington, Henry | PDF | MIDI | | |
| Hayne van Ghizeghem, (c. 1445 – 1495 or later) |
| Ales regres | Hayne van Ghizeghem | PDF | MIDI | 3 | |
| De tous biens plaine | Hayne van Ghizeghem | PDF | MIDI | 3 | |
| Henry VIII, (1491 – 1547) |
| Pasttime with good company | Henry VIII | PDF | MIDI | 3 | |
| Hilton, John (1599 – 1657) |
| Call George againe | Hilton, John | | MIDI | 3 | Drinking Songs |
| Holborne, Anthony ( – 1602) |
| 1. Bona Speranza, | Holborne, Anthony | PDF | MIDI | 5 | |
| 2. The teares of the Muses. | Holborne, Anthony | PDF | MIDI | 5 | |
| 26. Galliard: Hermoza | Holborne, Anthony | PDF | MIDI | 5 | |
| 3. Pavan. | Holborne, Anthony | PDF | MIDI | 5 | |
| 34. Muy linda | Holborne, Anthony | PDF | MIDI | 5 | |
| 4. Lullabie | Holborne, Anthony | PDF | MIDI | 5 | |
| 40. Galliard | Holborne, Anthony | PDF | MIDI | 5 | |
| 5. The Cradle. | Holborne, Anthony | PDF | MIDI | 5 | |
| 53. [Pavan:] Last will and testament | Holborne, Anthony | PDF | MIDI | 5 | |
| 6. The New-yeeres gift. | Holborne, Anthony | PDF | MIDI | 5 | |
| 63. Galliard: The Fairie-round | Holborne, Anthony | PDF | MIDI | 5 | |
| 64. Galliard: As it fell on a holie Eve | Holborne, Anthony | PDF | MIDI | 5 | |
| Isaac, Heinrich (c. 1450 – 1517) |
| Benedictus | Isaac, Heinrich | PDF | MIDI | 3 | |
| Innsbruck, ich muss dich lassen | Isaac, Heinrich | PDF | | 4 | |
| Innsbruck, ich muss dich lassen (second setting) | Isaac, Heinrich | PDF | MIDI | 4 | |
| Isum, John (c. 1680 – 1726) |
| Celia, learning upon the spinet | Isum, John | PDF | MIDI | | |
| Jenkins, John (1592 – 1678) |
| A boat, a boat! | Jenkins, John | PDF | MIDI | 3 | Drinking Songs |
| Care, thou canker of our joys | Jenkins, John | | MIDI | 3 | Drinking Songs |
| Pavan in D Minor | Jenkins, John | PDF | MIDI | 4 | |
| Pavan in E Minor | Jenkins, John | PDF | MIDI | 4 | |
| Johnson, Robert (c. 1580 – c. 1634) |
| Full fathom five thy father lies | Johnson, Robert | PDF | MIDI | 3 | |
| Lassus, Roland (1532 – 1594) |
| 2r. Beatus vir | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 3v. Beatus homo | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 4r. Oculus non vidit, | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 5r. Expectatio justorum laetitia, | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 5v. Justus cor suum, | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 6r. Justi tulerunt spolia impiorum | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 6v. Qui sequitur me, | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 6v. Qui vult venire post me | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 7v. Sancti mei | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 8r. Fulgebunt justi sicut lilium | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 8v. Serve bone | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| 9v. Sicut rosa | Lassus, Roland | PDF | MIDI | 2 | Bicinia -- Motets |
| Benedictus | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 11. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 13. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 15. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 16. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 18 | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 25. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia 26. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia Prima. | Lassus, Roland | | MIDI | 2 | |
| Fantasia Quarta. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia Septima. | Lassus, Roland | PDF | MIDI | 2 | |
| Fantasia Sexta. | Lassus, Roland | PDF | MIDI | 2 | |
| Susanne un jour | Lassus, Roland | PDF | MIDI | 5 | |
| Le Heurteur, Guillaume ( – fl. 1530 - 45) |
| Amour partes | Le Heurteur, Guillaume | PDF | MIDI | 2 | |
| Flucht | Le Heurteur, Guillaume | PDF | MIDI | 4 | |
| Grace et vertu, bonté, beaulté, noblesse | Le Heurteur, Guillaume | PDF | MIDI | 4 | |
| Quant je boy du vin claret tout tourne | Le Heurteur, Guillaume | PDF | MIDI | 3 | Drinking Songs |
| Leach, James (c. 1761 – 1798) |
| Egypt | Leach, James | PDF | MIDI | | |
| Loeillet, Jean Baptiste (1688 – 1750) |
| Sonata II, Parte Prima | Loeillet, Jean Baptiste | PDF | MIDI | | |
| Lupachino, Bernhardino ( – fl. 1550) |
| 11. Fantasia tertia. | Lupachino, Bernhardino | PDF | MIDI | 2 | |
| Fantasia | Lupachino, Bernhardino | PDF | MIDI | 2 | |
| Sopra la battaglia | Lupachino, Bernhardino | | MIDI | 2 | |
| Sopra la battaglia | Lupachino, Bernhardino | PDF | MIDI | 2 | |
| Sopra la battaglia | Lupachino, Bernhardino | PDF | | 2 | |
| Marcello, Benedetto (1686 – 1739) |
| Sonata III | Marcello, Benedetto | PDF | MIDI | 2 | |
| Morley, Thomas (1557 or 1558 – 1602) |
| April is in my Mistress's face | Morley, Thomas | PDF | MIDI | 4 | |
| Arise, awake, you silly shepherds sleeping | Morley, Thomas | PDF | MIDI | 5 | |
| Arise, get up my dear (transposed) | Morley, Thomas | PDF | | 3 | Canzonets or little short songs to three voyces, low voice |
| Arise, get up my deere, | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Blow, Shepherds, blow | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Cease mine eyes | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Crewell you pull away to soone | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Deep lamenting | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Doe you not know? | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Fantasie: Il Doloroso | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: Il Grillo? | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: Il Lamento? | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: La Caccia? | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: La Rondinella | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: La Sampogna? | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: La Sirena? | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fantasie: La Torello | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Farewell disdainfull | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Flora wilt thou torment mee | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Fyre and Lightning | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| God morrow, Fayre Ladies, (down a fourth) | Morley, Thomas | PDF | | 3 | Canzonets or little short songs to three voyces, low voice |
| Goe yee my canzonets | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Good Morrow, Fair Ladies of the May | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Hould out my hart | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| I goe before my darling | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| I should for griefe and anguish | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| III. Cruel, you put away too soone (transposed) | Morley, Thomas | PDF | MIDI | 3 | |
| In nets of golden wyers | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| It was a lover and his lass | Morley, Thomas | PDF | MIDI | 3 | |
| Joy, joy doth so arise | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| La Girandola | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Ladie, those eies | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Lady if I through griefe | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Leave now mine eyes | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Lo heere another love | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Love learns by laughing | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Love learns by laughing (transposed) | Morley, Thomas | PDF | | 3 | Canzonets or little short songs to three voyces, low voice |
| Miraculous loves wounding | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Now is the month of Maying | Morley, Thomas | PDF | MIDI | 5 | Ballets to Five Voyces |
| Now must I dye, | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| O flye not, | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| O thou that art so cruell | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Say deere, will you not have mee? | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| See, see, myne own sweet jewel | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Sweet nymph | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Thirsis | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| VI. God morrow, Fayre Ladies, (down a fourth) | Morley, Thomas | PDF | | 3 | |
| What ayles my darling? | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| When loe by break of morning | Morley, Thomas | PDF | MIDI | 2 | The First Booke of Canzonets to two voyces |
| Where art thou wanton? | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| Whither away so fast, | Morley, Thomas | PDF | MIDI | 3 | Canzonets or little short songs to three voyces |
| XIX. Say Deere, will you not have mee? (transposed) | Morley, Thomas | | | 3 | |
| Mouton, Jean (1459 – 1522) |
| Adieu mes amours | Mouton, Jean | PDF | MIDI | 4 | |
| James, James | Mouton, Jean | PDF | MIDI | 4 | |
| Mundy, John (1550/54 – 1630) |
| Lightly she whipped o're the dales | Mundy, John | PDF | MIDI | 5 | The Triumphs of Oriana |
| Lightly she whipped o're the dales (transposed) | Mundy, John | PDF | MIDI | 5 | |
| My prime of youth | Mundy, John | PDF | MIDI | 4 | |
| Ninot le petit, ( – ) |
| Et la la la | Ninot le petit | PDF | MIDI | 4 | |
| Nola, Gian Domenico da (ca. 1510-20 – 1592) |
| Cingari simo venit'a giocare | Nola, Gian Domenico da | PDF | MIDI | 3 | |
| Madonn'io no lo so perchè lo fai | Nola, Gian Domenico da | PDF | MIDI | 3 | |
| O Dio se vede chiaro ch'io per te moro | Nola, Gian Domenico da | PDF | MIDI | 3 | |
| Obrecht, Jacob (1457/1458 – 150
5) |
| Meskin es hu | Obrecht, Jacob | PDF | MIDI | 3 | Harmonice Musices Odhecaton A |
| Tsat een meskin | Obrecht, Jacob | PDF | MIDI | 4 | Harmonice Musices Odhecaton A |
| Ortiz, Diego (1510 – 1570) |
| Ricercada Segunda sobre [O felici occhi miei] | Ortiz, Diego | PDF | MIDI | 1 | |
| Palestrina, ( – ) |
| Adoramus te | Palestrina | PDF | MIDI | 4 | |
| Parabosco, Girolamo (1520/4 – 1557) |
| Da Pacem | Parabosco, Girolamo | PDF | MIDI | 4 | |
| Parry, Joseph ( – ) |
| Watchman, tell us of the night | Parry, Joseph | PDF | MIDI | 4 | |
| Petrucci, Ottaviano (1466 – 1539) |
| James, | Petrucci, Ottaviano | PDF | MIDI | 3 | Harmonice Musices Odhecaton A |
| Pevernage, Andre (1542-3 – 1591) |
| 37r. Ilz ont en mesme temps | Pevernage, Andre | PDF | MIDI | 2 | Bicinia -- Chansons |
| 37v. Deux que le trait d'Amour touche bien vivement | Pevernage, Andre | PDF | MIDI | 2 | Bicinia -- Chansons |
| 40v. La vita fugge | Pevernage, Andre | PDF | MIDI | 2 | Bicinia -- Chansons |
| Phalesius, Petrus (c. 1510 – c. 1575) |
| 38. C'est amour qui si rare en la terre se treuve,\\Tierce partie. | Phalesius, Petrus | PDF | MIDI | 2 | |
| Pilkington, Frances (c. 1565 – 1638) |
| Rest, sweet Nymphs | Pilkington, Frances | PDF | MIDI | 4 | |
| Praetorius, Michael (1571 – 1621) |
| Bransle de la torche | Praetorius, Michael | PDF | | 5 | |
| Purcell, Henry (1659 – 1695) |
| 'Tis women | Purcell, Henry | PDF | MIDI | 4 | Drinking Songs |
| A Rebus upon Mr. Anthony Hall, who keeps the Mermaid Tavern in Oxford, and plays his part very well on the violin | Purcell, Henry | PDF | MIDI | | |
| Down with Bacchus | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| Fie, nay, prithee, John | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| Five Reasons | Purcell, Henry | PDF | MIDI | 3 | Drinking Songs |
| He that drinks is immortal | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| Here's a health, pray let it pass about, | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| I gave her cakes and I gave her ale | Purcell, Henry | PDF | MIDI | 3 | Drinking Songs |
| Sir Walter | Purcell, Henry | PDF | MIDI | | |
| The glass was just timed | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| Well rung, Tom | Purcell, Henry | PDF | MIDI | | |
| Wine in a morning | Purcell, Henry | | MIDI | 3 | Drinking Songs |
| Ravenscroft, Thomas (c. 1590 – 1635) |
| As I me walked in a May morning | Ravenscroft, Thomas | PDF | MIDI | 4 | |
| Banbury Ale | Ravenscroft, Thomas | | MIDI | 4 | Drinking Songs |
| Come, drinke to mee, | Ravenscroft, Thomas | PDF | MIDI | 4 | |
| He that will an alehouse keep | Ravenscroft, Thomas | PDF | MIDI | 3 | Drinking Songs |
| Hey down//Woods so wild//grey nag | Ravenscroft, Thomas | PDF | MIDI | 4 | |
| Hey down//Woods so wild//grey nag (down a third) | Ravenscroft, Thomas | PDF | | 4 | |
| Hey Ho, nobody at home (3 parts) | Ravenscroft, Thomas | | MIDI | 3 | Drinking Songs |
| Hey Ho, nobody at home (5 parts) | Ravenscroft, Thomas | | MIDI | 5 | Drinking Songs |
| Hey hoe, to the greene wood, A Round of 3 Voices | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| Jolly Shepheard | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| O My fearefull dreames | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| Oken Leaves, a Round of 3 Voices | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| The Nightingale | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| There were three Ravens sat on a tree, | Ravenscroft, Thomas | PDF | MIDI | 4 | |
| Three Blinde Mice, A Round of 3 Voices | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| To Portsmouth | Ravenscroft, Thomas | PDF | MIDI | 4 | Drinking Songs |
| Ut, re, mi, fa | Ravenscroft, Thomas | PDF | MIDI | | |
| We be three poor Mariners, | Ravenscroft, Thomas | PDF | MIDI | 3 | |
| Reading, John ( – ) |
| In Praise of White Wine | Reading, John | | MIDI | 3 | Drinking Songs |
| Ruffo, Vincenzo (1508 – 1587) |
| Trinitas in Unitate | Ruffo, Vincenzo | PDF | MIDI | 3 | |
| Sandrin, Pierre (c. 1490 – af
ter 1561) |
| Douce Memoire | Sandrin, Pierre | PDF | MIDI | | |
| Una Canzon Francese doulce memoire | Sandrin, Pierre | PDF | MIDI | 4 | El Primo Libro |
| Senfl, Ludwig ( – ) |
| Es wollt ein Fraw zum Weine gahn | Senfl, Ludwig | PDF | MIDI | 4 | Drinking Songs |
| Fortuna - Ich stuend an einem Morgen | Senfl, Ludwig | PDF | MIDI | 5 | |
| Wohl kumbt der Mai | Senfl, Ludwig | PDF | MIDI | 4 | |
| Sermisy, Claudin de (c. 1490 – 1562) |
| [23] Si mon malheur my continue | Sermisy, Claudin de | PDF | MIDI | 3 | |
| [3] C'est une dure despartie (original key) | Sermisy, Claudin de | PDF | | 3 | Three part chansons |
| [3] C'est une dure despartie (transposed up a fifth) | Sermisy, Claudin de | PDF | MIDI | 3 | Three part chansons |
| Au pre de vous secretement demeure (three parts) | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Au prés de vous | Sermisy, Claudin de | PDF | MIDI | 2 | |
| Au prés de vous | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Changeons Propos (Fourth Down) | Sermisy, Claudin de | PDF | MIDI | 3 | |
| Changeons propos, c'est trop chante d'amours (Original key) | Sermisy, Claudin de | PDF | MIDI | 3 | Drinking Songs |
| Contentez vous | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Je ne mange point de porc | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Martin menait son pourceau au marché | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Tant que vivrai | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Vignon, vignon, vignon, vignette (original key) | Sermisy, Claudin de | PDF | | 3 | Drinking Songs |
| Vignon, vignon, vignon, vignette (transposed) | Sermisy, Claudin de | PDF | MIDI | 3 | |
| Vive la serpe | Sermisy, Claudin de | PDF | MIDI | 4 | |
| Vive la serpe (a fourth up) | Sermisy, Claudin de | PDF | | 4 | Drinking Songs |
| Silvestrino, Francesco (fl. 1545 – ) |
| O Dio si vede chiaro cha per te moro | Silvestrino, Francesco | PDF | MIDI | 4 | |
| Smith, John Stafford (1750 – 1826) |
| Slaves are they that heap up mountains | Smith, John Stafford | | MIDI | 4 | Drinking Songs |
| To Anacreon in Heaven | Smith, John Stafford | PDF | MIDI | 2 | Drinking Songs |
| Susato, Tielman (c. 1510/1515 – after 1570) |
| Bergeret sans roch | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Bergeret sans roch, Reprise 1 | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Bergeret sans roch, Reprise II | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Dont vient cela | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Les miens aussi brief | Susato, Tielman | PDF | MIDI | 4 | |
| Mille regretz | Susato, Tielman | PDF | MIDI | 4 | |
| Mon desir | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Reprise - Cest une dure despartie | Susato, Tielman | PDF | MIDI | 4 | Danseryes |
| Ronde I | Susato, Tielman | PDF | MIDI | 4 | |
| Ronde II: Mon amy | Susato, Tielman | PDF | MIDI | 4 | |
| Ronde III | Susato, Tielman | PDF | MIDI | 4 | |
| Ronde V | Susato, Tielman | PDF | MIDI | 4 | |
| Tasso, Giovanni Maria ( – ) |
| Fantasia | Tasso, Giovanni Maria | PDF | MIDI | 2 | |
| Fantasia Quinta. | Tasso, Giovanni Maria | PDF | MIDI | 2 | |
| Telemann, Georg Phillip (1681 – 1767) |
| Cantabile from the C major Sonata | Telemann, Georg Phillip | PDF | MIDI | 2 | |
| Unknown, ( – ) |
| [1] Jennette, Marion se vont jouer | Unknown | PDF | MIDI | 3 | |
| Amy souffres que je vous aime (two parts) | Unknown | PDF | MIDI | 2 | |
| Amy, souffrez que je vous aime (three parts) | Unknown | PDF | MIDI | 3 | |
| Bruder konrad | Unknown | PDF | MIDI | 1 | |
| Carmen -- Paulus de Broda | Unknown | | | 3 | |
| Cider Round | Unknown | PDF | MIDI | 4 | |
| Der Ratten schwanz | Unknown | PDF | MIDI | 3 | |
| Die Katzenpfote | Unknown | PDF | MIDI | 3 | |
| Die welt, die hat einen tummen sin | Unknown | PDF | MIDI | 3 | |
| Du lenze gut | Unknown | PDF | MIDI | 3 | |
| Du Lenze Gut (down a step) | Unknown | PDF | | 3 | |
| Du Lenze Gut (up a fifth) | Unknown | PDF | | 3 | Glogauer Liederbuch |
| Elselein | Unknown | PDF | MIDI | 3 | |
| Es leit ein schlo_ss | Unknown | PDF | MIDI | 3 | |
| Hastu mir die laute bracht -- O rosa bella | Unknown | PDF | MIDI | 3 | |
| Hastu mir die laute bracht -- O rosa bella (transposed a fourth up) | Unknown | PDF | MIDI | 3 | |
| Ich bins erfreut | Unknown | PDF | MIDI | 4 | |
| Ich sachs eins mals | Unknown | | | | |
| In feuers hitz -- O rosa bella | Unknown | PDF | MIDI | 3 | |
| In feuers hitz -- O rosa bella (transposed a fourth up) | Unknown | PDF | MIDI | 4 | |
| Knives and Forks | Unknown | PDF | MIDI | 5 | |
| Maxixe | Unknown | PDF | MIDI | 1 | |
| Wer da sorget -- O rosa bella | Unknown | PDF | MIDI | 3 | |
| Wer da sorget -- O rosa bella (transposed a fourth up) | Unknown | PDF | | 3 | |
| van Eyck, Jacob (c. 1589-90 – 1657) |
| Courant, of Harte diefje vaerom zoo stil | van Eyck, Jacob | PDF | MIDI | 1 | |
| En fin l'Amour | van Eyck, Jacob | PDF | MIDI | 1 | |
| En fin l'Amour (beamed score) | van Eyck, Jacob | PDF | | 1 | |
| En fin l'Amour (score) | van Eyck, Jacob | PDF | | 1 | |
| Vecchi, Orazio (ca. 1549 – 1611) |
| Il bianco e dolce cigno | Vecchi, Orazio | PDF | | 5 | |
| Il bianco e dolce cigno | Vecchi, Orazio | PDF | | 5 | |
| Vendonck, Cornelio ( – ) |
| 39. Lungi da voi mia vita | Vendonck, Cornelio | PDF | MIDI | 2 | Bicinia -- Chansons |
| 40r. Dissi a l'amata mia lucida stella | Vendonck, Cornelio | PDF | MIDI | 2 | Bicinia -- Chansons |
| Weelkes, Thomas (1576 – 1623) |
| As deadly serpents lurking | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| As Vesta was from Latmos Hill descending | Weelkes, Thomas | PDF | MIDI | 6 | The Triumphs of Oriana |
| As Vesta was from Latmos Hill descending (transposed) | Weelkes, Thomas | PDF | MIDI | 6 | |
| Come come lets begin | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Come come lets begin | Weelkes, Thomas | PDF | | 3 | |
| Come, Sirrah Jack, Ho (down a fourth) | Weelkes, Thomas | PDF | | 3 | |
| Come, Sirrah Jack, ho! | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Death hath deprived me of my dearest friend, a remembrance of my friend M. Thomas Morley | Weelkes, Thomas | PDF | MIDI | 6 | Ayres or Phantastiicke Spirites for three voices |
| Four arme, two lips, one wreathing (down a fourth) | Weelkes, Thomas | PDF | | 3 | |
| Four arms, two lips, one wreathing | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Hark, all ye lovely Saints above | Weelkes, Thomas | PDF | MIDI | 5 | |
| Hark, all ye lovely Saints above (down a step) | Weelkes, Thomas | PDF | | 5 | |
| Jockey thine horne pipes dull | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Jockey, thine horn pipes dull | Weelkes, Thomas | PDF | MIDI | 3 | |
| O now weep, now sing | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| O now weep, now sing (down a step) | Weelkes, Thomas | PDF | | 3 | |
| Some men desire spouses | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Some men desire spouses | Weelkes, Thomas | PDF | | 3 | |
| Strike it up Tabor | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Strike it up Tabor (down a third) | Weelkes, Thomas | PDF | | 3 | |
| The Nightingale, the organ of delight | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| The Nightingale, the organ of delight (transposed) | Weelkes, Thomas | PDF | | 3 | |
| Tomorrow is the marriage day | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Tomorrow is the marriage day | Weelkes, Thomas | PDF | | 3 | |
| Upon a hill | Weelkes, Thomas | PDF | MIDI | 3 | Ayres or Phantastiicke Spirites for three voices |
| Upon a hill (transposed) | Weelkes, Thomas | PDF | MIDI | 3 | |
| Wilbye, John (1574 – 1638) |
| Draw on sweet Night | Wilbye, John | PDF | MIDI | 6 | |
| Weep, weep mine eyes | Wilbye, John | PDF | MIDI | 6 | |
| Willaert, Adrian (c. 1490 – 1562) |
| Cingari simo venit'a giocare | Willaert, Adrian | PDF | MIDI | 3 | |
| Madonn'io non lo so perchè lo fai | Willaert, Adrian | PDF | MIDI | 3 | |
| Ricercar X | Willaert, Adrian | PDF | MIDI | 4 | |
| Wise, Michael (1648 – 1687) |
| Judith and Holifernes | Wise, Michael | PDF | MIDI | | |