% Copyright (C) 1999  Laura E. Conrad lconrad@world.std.com
% 233 Broadway, Cambridge, MA 02139, USA
%
%    This information is free; you can redistribute it and/or modify it
%    under the terms of the GNU General Public License as published by
%    the Free Software Foundation; either version 2 of the License, or
%    (at your option) any later version.

%    This work is distributed in the hope that it will be useful,
%    but WITHOUT ANY WARRANTY; without even the implied warranty of
%    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
%    GNU General Public License for more details.

%    You should have received a copy of the GNU General Public License
%    along with this work; if not, write to the Free Software
%    Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
X:1
T:VI. God morrow, Fayre Ladies,
O: Canzonets, or Little Short songs to three voyces, 
H: transcribed from the Performers' Facsimiles print of the London, 1593 edition
C: Thomas Morley
%%gchordfont Helvetica 12 box
%%MIDI nobarlines
K:C
T: Cantus
M:C
L:1/8
N: Original clef, treble
%1
G8 d4 d2 d2 B A B c d2 B2\
w: God mor- row, faire La- dies of the May, wher
%2
   c4 B4 A8   B4    A2   d2 c2 B2    A4   B16 z4 z2 A2\
w: is my cru- ell? where is my sweet cru- ell?      God
%3
   d4   d2   d2    B   A     B  c   d2   B2   e2 d2 d2    ^c2  d4   f4    e8 d4 c4\
w: mor- row, faire La- dies, of the May, wher is my sweet cre- wel? faire Clo- ris my
%4
  B4    A2    G2 A8 "A"G4 g4 f4 e3 f g2 d4 a4 g2 g8 f4 e4\
w:sweet crew- _ _  ell? O see where shee comes a Queene, a Queene, a Queene,
%5
z2 e2 f4 z2 c2 e4 B3 c d4 A3 B c2 d2 e2 ^f2 g6 ^f2 e8 d2\
w:shee comes, a Queene, all in greene, all in gau- die greene a- ray- _ _ ing,
%6
f4 e2 d3 e d2 c2 B4 A4 c2 B2 A2 G2 G2 ^F E ^F4 "B"G4 g8 f4 e6 ^f2\
w:all in gau- dy greene a- ray- ing, all in greene, a- ray- _ _ _ ing.  O how gay- ly
%7
g4 d8 e4 f8 e2 g2 e2 e2 ^f2 ^f2 g8 f2 e2 d4 z2 g2 e2 e2\
w:goes my sweet je- well? was ne- ver such a May- _ _ ing, ne- ver was
%8
^f2 ^f2 g8 f2 e2 d4 e2 d2 d2 ^c2 d8 z4 d4 g6 ^f2 e4 d4 d4 ^c4 d8\
w:such a May- _ _ ing, such a May- _ ing, since May de- lights de- cay- _ ing,
%1r
z4 A4   d6  c2  B4     A2    G2  A8   "C"G4    g8 f4 e6 ^f2 g4 d8 e4 f8\
w:since May de- lights first de- cay- ing.  O how gay- ly goes my sweet jew-
%2r
e2 g2 e2 e2 ^f2 ^f2 g8 f2 e2 d4 z2 g2 e2 e2 ^f2 ^f2 g8 f2 e2 d4 e2 d2\
w:ell? was ne- ver such a May- _ _ ing, was ne- ver such a May- _ _ ing, such a
%3r
d2 ^c2 d8 z4 d4 g6 ^f2 e4 d4 d4 ^c4 d8 z4 A4 d6 c2 B4\
w:May- _ ing, since May de- lights de- cay- _ ing, since May de- lights
%4r
A2 G2 A8 \\
w:first de- cay-
M:3/4
%%LY voices \property Staff.TimeSignature \set #'style = #'1style
L:1/4
B2 d e2 d c2 B \\
w:ing. So was my Clo- ris
M:C
%%LY voices \property Staff.TimeSignature \override #'style = #'C
L:1/8
A4 d4 c12 B4\
w:sheene, brought home  and
%5r
A4 A4 HB16|]
w: made May Queene.

X:2
T:VI. God morrow, Fayre Ladies,
O: Canzonets, or Little Short songs to three voyces, 
H: transcribed from the Performers' Facsimiles print of the London, 1593 edition
C: Thomas Morley
N: Original clef is C on first line
%%gchordfont Helvetica 12 box
%%MIDI nobarlines
K:C
T: Altus
M:C
L:1/8
N: Original clef, treble
%1
z8 D8 G4 G2 G2 E D E ^F G2 E2\
w: God mor- row, faire La- dies of the May, wher
%2
^F2 G4 ^F2 G4 ^F2 B2 A2 G2 G2 ^F2 G4 D4 G4\
w: is my _ cru- ell? where is my sweet cru- ell? God mor-
%3
G2 G2 ^F E ^F G A2 ^F2 G4 ^F2 D2 G4 ^F2 G2 A2 B3 A G2 ^F4\
w: row, faire La- dies, of the May, faire La- dies, say, wher is my sweet cre- _ _ wel? 
%4
  d8    c4   B4  A6 G2    G8 ^F4  "A"G8 d4 c4 B3 c d2 A2 c4 B4 A4\
w:faire Clo- ris my sweet crew- _ ell? See o where shee comes a Queene, a Queene,
%5
"(1)"d8 c4 d4 z2 A2 c4 z2 G2 B4 ^F3 G A2 B2 c2 d2 e2 d2 d8 ^c4\
w:oh a Queene, a Queene, a Queene, all in gau- die greene, a- ray - _ _ 
N:  facsimile has d12.
%6
  d6   c2 B3   c  B2     A4 G4 ^F2 G4   A2  B2 c8   "B"B8 A4 d8 c4 B6 c2 d4\
w:ing, in gau- dy greene a- ray- _ ing, all in gau- die greene, O how gay- ly goes
%7
G2 c4 B A B4 c4 z2 c2 A2 A2 B2 B2 c4 A B c4 B A \
w:my sweet bon- ny je- well? Was ne- ver such a May, such a May, such a
%8
B4 c2 c2 A2 A2 B2 B2 c4 A2 c2 c2 B2 c2 B3 A G2 ^F4 A4\
w:May- ing, was ne- ver such a May- ing, ne- ver was such a May - ing, since
%1r
B6 A2 G4 d4 c4 B6 A2 G4 ^F4 A4 d6 c2 B4 A6 G2 G8 ^F4 "C"G8\
w:May de- lights first de- cay- _ _ ing. since May de- lights first de- cay- _ ing.
%2r
z4 d8 c4 B6 c2 d4 G2 c4 B A B4 c4 z2 c2 A2 A2 B2 B2 c4\
w:O how gay- ly goes my sweet bon- ny je- well? Was ne- ver such a May,
%3r
A B c4 B A B4 c2 c2 A2 A2 B2 B2 c4 A2 c2 c2 B2 c2\
w: such a May, such a may- ing, was ne- ver such a May- ing, ne- ver was such
%4r
B3 A G2 ^F4 A4 B6 A2 G4 d4 c4 B6 A2 G4 ^F4 A4 d6 c2 B4\
w:a May- _ ing, since May de- lights first de- cay- _ _ ing, since May de- lights
%5r
A6 G2 G8 ^F4 \\
w: first de- cay _
%%LY voices \property Staff.TimeSignature \set #'style = #'1style
M:3/4
L:1/4
G2 B c2 B A2 G \\
w:ing. So was my Clo- ris
%%LY voices \property Staff.TimeSignature \override #'style = #'C
M:C
L:1/8
^F4 B8 A6 G2\
w: sheene, brought home for
%6r
G8 ^F4 HG16 |]
w: the May Queene.

X:3
T:VI. God morrow, Fayre Ladies,
O: Canzonets, or Little Short songs to three voyces, 
H: transcribed from the Performers' Facsimiles print of the London, 1593 edition
C: Thomas Morley
%%gchordfont Helvetica 12 box
%%MIDI nobarlines
%%MIDI transpose -12
K:C -8va
T: Bassus
M:C
L:1/8
N: Original clef C on third line, so this is a tenor clef, which sounds 
N: an octave down from the top two parts.
%1
z16 z8 z4 G4 d4 d2 d2 B A B c d2 B2\
w: God mor- row, fayre La- dies of the May, wher
%2
c2 G2 d4 G8 z4 G4 d4 d2 d2 B A B c\
w: is my cru- ell? God mor- row, fayre La- dies, of the
%3
    d2   B2   e4   d2 G2 c2    d2    e4   d4   d4    e6   ^f2 g4 c4    d16 "A"G8 z8 g4 f4\
w:  May, say, wher is my sweet sweet cru- el, faire Clo- ris my sweet cru- ell? See lo
%4
e3 f g4 d8 a8 z2 d2 f4 z2 c2 e4 B3 c d4 A2 A2 a4\
w: wher shee comes a Queene, a Queene, she comes, all in greene, all in greene
%5
  g8 a8  d16   d8 e3   d   c2     B2 A8 "B"G8 d8 a8 g8 f4 e4 d8 c8 z4 z2 g2\
w:a- ray-  ing, in gau- die greene a- ray- ing. How gay- ly goes my je- well? Was
%6
e2 e2 f2 f2 g8 c4 d4 G2 g2 e2 e2 f2 f2 g4 c2 d2 e4 d4 d4\
w:ne ver such a May- _ _ ing, was ne- ver such a May, such a May- ing, since
%7
g6 ^f2 e4 B4 c4 d4 e8 d4 d4 d8 d4 d4 d16 "C"G8 d8 a8\
w:May de- lights first de- _ cay- ing, since Mayes first de- cay- ing; How gay-
%8
g8 f4 e4 d8 c8 z4 z2 g2 e2 e2 f2 f2 g8 c4 d4 G2 g2 e2 e2\
w: ly goes my je- ell? was ne- ver such a May- _ _ ing, was ne- ver
%1r
f2 f2 g4 c2 d2 e4 d4 d4 g6 ^f2 e4 B4 c4 d4 e8 d4 d4\
w: such a May, such a May- ing, since May de- lights first de- _ cay- ing, since
%2r
d8 d4 d4 d16\
w:May first de- cay-
%%LY voices \property Staff.TimeSignature \set #'style = #'1style
M:3/4
L:1/4
G2 g c2 d f2 g\
w:ing. So was my Clo- ris
%%LY voices \property Staff.TimeSignature \override #'style = #'C
M:C
L:1/8
d4 G4 c4 c4\
w:sheene, brought home for
%3r
d8 d8 HG16 |]
w:the May Queene.